No. 32 - An American Werewolf in London (1981) PolyGram Pictures/Lycanthrope Films Limited, Universal Pictures From The Director Of Animal House... A Different Kind of Animal.

An American Werewolf in London (1981), DML Rating: ★★★★★★★★★★ - perfect

Director and Screenwriter: John Landis; Rated R for language, nudity, sex, violence, gore, intensely scary scenes

Starring: David Naughton, Jenny Agutter, Griffin Dunne, John Woodvine, Brian Glover, David Schofield, Frank Oz

Plot Summary: Two American backpackers, David and Jack, are attacked by a creature on the English moors. One is killed, while the survivor, recovering in London, experiences terrifying nightmares and hallucinations. Soon, he discovers the horrifying truth about his attack and faces the potential of his own monstrous transformation.

Defining Moment: "i didn't mean to call you a meatloaf, jack."

Despite the warnings from his dead best friend, David still holds onto hope that he's simply suffering from temporary delusions. Upon his release from the hospital, David is able to crash at nurse Alex's apartment on the night of the first full moon. As nightfall approaches, David reads, checks the mirror for fangs, watches TV, and nothing appears to happening... Then it happens! A splitting headache, searing pain, he rips off his clothes and starts to change. When I first saw this scene I was completely in awe. It was done completely without CGI. This feat of cinema magic would win the first Oscar of its kind. 

Something subtle you might have missed:  moon songs

There are several songs throughout the film that reference to moon. We hear Bobby Vinton's "Blue Moon", Van Morrision's "Moondance", Creedence Clearwater Revival's "Bad Moon Rising" and another bittersweet ballad version of "Blue Moon" by Sam Cooke. Sweet songs for a bitter sweet film.

Memorable Quotes:

"On the moors, we were attacked by a lycanthrope, a werewolf. I was murdered, an unnatural death, and now I walk the earth in limbo until the werewolf's curse is lifted.” – Jack

"I'm certain if there were a monster roaming around northern England, we'd have seen it on the telly." - Dr. J. S. Hirsch

Dad's Review:

I love werewolves, especially the duality between man and the beast inside himself.

In most werewolf films, the victim has no control over his actions after he becomes the beast. They kill without mercy, without remorse. When the transformation is made back to human form, the person has no memory of the night's carnage. This creates a moral tug-of-war between the innocent person, and the murderous monster they become. The solution is simple, but difficult to undertake - Take your own life to stop the lycan bloodline. But that act, for a rational person, is a hard thing to do.

This premise plays out through American Werewolf. When David finally realizes that he is, in fact a monster, and understands that the werewolf's bloodline can end with him. However, even with his best friend, now one of the walking undead (and all the other people he has killed), urging him, he still can't bring himself to take his own life. This is a story heading to an unhappy ending.  

You can't talk about this movie without mentioning the amazingly talented Rick Baker, and his Oscar-winning Make-up effects. Just for the ground-breaking efforts in this movie, the Academy created a new award category, Best Makeup, and this was the first film to receive the inaugural award. David's first transformation scene, running about three minutes, is really something to behold on the big screen. It's literally painful to watch, as you hear the bones cracking as they expand. (see the transformation HERE on YouTube)

This film has some really scary, and contains some really disturbing scenes. It also manages an appropriate number of laughs and a convincing love story. The bittersweet ending will have you in tears. 

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Onto No. 33... Tiny Single Gal Lightbeam